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When I listen to the song, several things strike me. First you can tell it is a Jimmy song because Stevie is very disciplined with singing. Her voice is stronger than most other RAL songs and he holds her on time and on cue with lyrics and chorus. The other thing is the way she sings the song, I can pick up the vibe she does not like the song and almost feels forced to sing it. She lacks that passion Stevie can usually put into a song for the 80's Stevie. |
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I think we can mutually agree she did not like the song in 1984/1985. It would be rude to say she hated it or thought it was terrible. "Not feeling it" is saying enough. You will never hear her say she hates any song she sings. |
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It's always been my impression that "Mirror Mirror" was to be her third album and that the project was far enough along that it was starting to be promoted and may have had a release date...A few years ago I ran across old MTV "Music News" footage on youtube and one of the things was an announcement that Stevie's new record would not be coming out because it was being shelved and she was starting over with new songs (not an exact quote but it was something along those lines) unfortunately I have never been able to locate for footage again...
I did some digging in the old threads here and it seems our memories were a bit better 10 years ago...The post following seems to confirm that "Mirror Mirror" was abandoned at the last minute... From the "Rock A Little" a missed opportunity thread (post #21) "The album that eventually became "Rock a Little' was slated to be realeased in July of 1984 .She was so close to releasing it then that ads were taken out in Billboard and Rollingstone in June heralding the lp's release the following month.At the final hour the album was scrapped because Stevie felt the album did not sound right.I know that Joe Walsh had played on some of the tracks one of which surfaced as 'One More Big Time Rock and Roll Star' other tracks rumored to be on it were "Chanel Chanel' and "Battle of the Dragon'.After this stories appeared that Jiimy Iovine had been fired or quit.Later Iovine admitted he had bowed out due to Stevie's esculating cociane use,but it seemed he was called back in to doctor up some tracks toward the end of recording in 1985 .At this point in Stevie's life it would seem even Mother Theresa's patience would have been tried as her record producer.The cocaine and cognac had ceased to give and were now detracting from her art ,and of course as we all know the Klonopin that followed would be no panacea to her waning creativity.I do think TOSOTM was a better album however, her spacy vocals on it actually enhanced the 80s Euro- pop production .I think Rupert Hine had an understanding of what do do with Stevie's material .It's too bad, but not unpredictable ,that they had a falling out so vitriolic that they would never work together again" .http://i1361.photobucket.com/albums/...psmfpfyfd2.png I believe these are the Rolling Stones mentioned...Who wants to buy them and look for the "Mirror Mirror" promotions??? http://backissues.com/issue/Rolling-...4----Issue-423 |
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I'm glad it at least made it onto the "Against All Odds" soundtracks in March of '84. |
I like 'I Will Run to You' more than 'Violet and Blue', and I really do like the latter quite a bit. I do like 'Violet and Blue' more than 'Nothing Ever Changes' so maybe..
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I've always assumed that Stevie would have intended to re-record it for Rock A Little because the album was supposed to be released not long after Against all odds and, even after she changed her plans, during the 1986 tour she frequently quoted Violet and Blue when performing I need to know. |
On a somewhat related note, I wonder if the whole issue with Don't Come Around Here No More and Jimmy recording Dave Stewart's song written for Stevie with Tom made her angry enough...
And BlueDenimLamp I would love to see those articles! I will try to dig around in the Billboard magazine archives too to see if there's anything mentioned. |
I agree with everyone who's saying that these are one in the same, just an album that evolved over the years. You had Jimmy walk out around, what, 1983, early 1984? From there, she actually started work with Keith Olson, who also pulled out by Summer of '84....he had just finished the Joe Walsh album and went straight into Stevie's.....I remember the MTV News brief that quoted him as saying that if he stayed with the Stevie project, after all the craziness of Joe, it would have killed him (Supposedly Stevie wasn't too thrilled by this comment on national TV, and it put a real strain on their relationship for years).
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http://ledge.fleetwoodmac.net/showthread.php?t=44774 |
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