Quote:
Originally Posted by bombaysaffires
but he didn't, and he got fired, or just wasn't re-hired for subsequent work. That's how producing works, Ken, so get over it already.
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A good example of class is Keith Olsen, who is basically responsible for introducing LB and SN to Polydor and then to FM. His work on the white album was exceptional, but he wasn't asked back. From what I recall, Keith liked to prominently feature the bottom end, a point of contention between him and Lindsey once they began talks about Rumours. So, bye Keith. I've never heard him bitch about this.
For what it's worth, the prominent bottom end is what really draws me to the white album. John's creative bass lines really stand out, especially on "Blue Letter," "Rhiannon," "Over My Head," "Say Your Love Me, "Sugar Daddy, " and "World Turning."
And the drums--wow--"World Turning" and "So Afraid" are truly standouts because of Mick's work.