[jbrownsjr]

Originally Posted by David

All good insights into the way Christine’s eccentricity of playing rhythm on a keyboard helped provide both space and drive to a track. “Angel” is a perfect example. It’s a three-part rhythm section that drives the whole thing musically: drums, bass, and electronic piano.

Here is the puppy she used in those years to lay down those foundations. It was called a CP-30, made by Yamaha. It was the company’s very first fully electronic keyboard (rather than electro-mechanical), and it worked in stereo, with two channels that you could operate independently of each other to fatten it up.

She switched to it in 1978 in the studio when her Hohner electro-mechanical ran out of sticky stuff. The sticky stuff degraded and you couldn’t replace it because the German company didn’t sell it — you had to buy a whole new rig, and they stopped making it because the stereo electronic age was upon us.

https://usa.yamaha.com/files/downloa...2000/CP30E.PDF

Benjamin Orr also used this on the first Cars album in 1978. They were very heavy — about 125 pounds — and they had a pretty short career because they were the last bastion of analog before digital turned everything into microchips.

Thanks for this!! I didn't know too much of that. So interesting on her sounds and idiosyncrasies.