Review of Billy's show in Nashville

[Livia]

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Memphis in Manhattan in Nashville

Plastic eggshells with raffle tickets buried inside were the Easter-themed currency at last Sunday’s Billy Burnette show at 3rd & Lindsley. While rockabilly stylist Burnette provided a fascinating character study in rock star poise, the real clucker was watching Music Row moguls juggle the plastic goodies in one hand while pecking away on their Blackberries with the other. Burnette, a onetime member of Fleetwood Mac who also toured as a backing guitarist with Bob Dylan for 2001’s Love and Theft, packed enough biz veterans in the club to warrant the repositioning of Music Row, if only for one night. Pitchfork darling and opening act Nicolai Dunger was missing in action, but wattage from Burnette’s frequent songwriting collaborators Shawn Camp and Bekka Bramlett more than made up for the Swedish rocker’s absence. Bramlett accompanied her former Fleetwood Mac bandmate for much of his set, flailing away with her tambourine like a madwoman possessed. But it was Burnette himself, playing in support of his live album Memphis in Manhattan, who really made the show tick. Flanked by guitarist Jedd Hughes, Burnette’s end-of-show barnburner “Tear It Up” produced a rousing standing ovation. Elvis may have been king, but as audience reaction showed, Burnette can certainly hold his own.