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#1
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Jeremy Spencer's version of "Shake Your Moneymaker", is balls on blues! It proved that the Brits could do it better than John Mayall, and he was the godfather after Alexis Korner. It also made the Paul Butterfield version sound "white suburban blues, American style". Spencer's slide ability was beyond reproach for all white guitarists at the time (pre Duane Allman), yet Spencer fell into an Ellmore James rut. "Mr. Wonderful" is that example.
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#2
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John Mayall is Brit as well
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#3
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My analogy was that Mayall did it better than Alexis Korner. FM did it better than Mayall. I was writing that the British blues movement went beyond Mayall.
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