#61
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#62
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And that is interesting re: TANGO. I remember specifically him saying he wasn't asked back because he got into a musical argument with Lindsey. But if he told you otherwise, well, then, there's that same ole' I do/I don't thing going on with him... |
#63
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For what it's worth, the prominent bottom end is what really draws me to the white album. John's creative bass lines really stand out, especially on "Blue Letter," "Rhiannon," "Over My Head," "Say Your Love Me, "Sugar Daddy, " and "World Turning." And the drums--wow--"World Turning" and "So Afraid" are truly standouts because of Mick's work. |
#64
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His playing makes Angel a thousand times more than what it is when she does it solo and the focus is on the keyboards. Rhiannon it goes without saying. THat's my biggest bone of contention with LB's production. He slowly pushed the rhythm section further and further down in the mix. Even some of Chris's playing too.
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#65
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I actually agree with this, I’m not much of a Ken fan because the way he speaks about the band is always kinda condescending and weird but I’ve always gotten the vibe that to him, Lindsey was by a mile the most ~significant member of the band and he had the most admiration for him. If you ask him any general question about the band he just ends up talking about Lindsey. Almost like a slight fixation lol. But yeah he certainly has a weird way of showing it.
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#66
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One thing that helped puncture my "Lindsey's the greatest producer on planet earth" bubble was hearing the TISL outtake version of "Thrown Down." I found myself astounded to wonder, "Could this be better than the version Lindsey produced"? It's a rare instance where we have an A-to-B comparison of how two different producers handle the same song; and the Lindsey-produced version, while perhaps better (I don't feel strongly one way or the other), is in any case not a clear far-and-away improvement. Last edited by cbBen; 12-14-2019 at 03:28 AM.. |
#67
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That reminds me of the whole SYW thing where Lindsey was whining that Stevie never thanked him. I was like, “Oh, Linds, please stop.”
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#68
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I think he is and that Lindsey has a certain personal loyalty to Richard that he in no way feels towards Ken. Ken is resentful. Look at all the years Lindsey and Richard lived together. I can tell you he and Ken wouldn’t make it in the same abode for 2 weeks,
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#69
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I’d be full of anger and residual hate if Lindsey had NOT cut his hair.
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#70
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SYW version sounds to me like it was produced by Ken, tbh (it's not).
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#71
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They are so different, but maybe that's due to the mix rather than to the production. Lindsey may made the wrong call by going with Needham over Lord-Alge to mix Say You Will. The reason he gives in Destiny Rules (that Lord-Alge, being so in demand, works too quickly) does not make sense. It does not follow that someone will do a better job just because they take longer to do it. Maybe Lord-Alge being in demand is a sign that he does good work, regardless of how quickly he does it. Last edited by cbBen; 12-14-2019 at 02:36 PM.. |
#72
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https://en.wikipedia.org/wiki/Mark_Needham (he mixed/produced breakthrough albums by The Killers, Imagine Dragons, and Walk the Moon, among many others, his discography is impressive) https://en.wikipedia.org/wiki/Chris_Lord-Alge (he mixed American Idiot by Green Day) i think what's under the surface of that argument is your regular push-pull between Stevie and Lindsey - Needham is Lindsey's pick, he has been working with him continuously before and after (he mixed BuckVie and i believe Solo Anthology, most recently), while Lord-Alge is Stevie's pick, she has worked with him a lot. Lindsey =was a producer and wanted someone whose work he liked and was in sync with. Stevie wanted leverage against Lindsey so she wanted her guy. the rest are all excuses.
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"kind of weird: a tribute to the dearly departed from a band that can treat its living like trash" |
#73
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I don't care for the Tusk book as much as I liked the Rumours book. Tusk seems rushed. No photos and yes I noticed the timeline difference also.
His comments in the interview are pretty bad. It sounds like since he talks to Mick and John, that he is on the Mick bandwagon when it comes to Lindsey. It sounds like everything that Stevie said. According to one of Ken's post's, he claimed Stevie told Lindsey, why do a solo album, it won't sell anyway. I feel really bad for Lindsey, talk about beating someone when they are down.
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I have changed, but you remain ageless |
#74
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Chris Lord-Alge also mixed Out Of The Cradle: https://en.wikipedia.org/wiki/Out_of_the_Cradle |
#75
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