#16
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I see it. Totally. I mean I love EFO on SYW, but as it is arranged and performed in 2003 easily could have sit between Christine and Lindsey’s material in 1987. The Rick Knowles co-write evokes the best features of “I Can’t Wait,” still a song that pales in comparison to EFO.
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#17
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You mean Hopkins, not ChiliD, right?
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#18
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Yeah he just disappeared abruptly a couple of months ago. Dennison has been gone for years.
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Children of the world the forgotten chimpanzee..in the eyes of the world you have done so much for me. ..SLN. |
#19
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I would take the other approach. Instead of putting EFO on Tango, can we make Tango more like EFO
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#20
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I love the lyrics on “Everybody Finds Out.” How does it go again?
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Of course, the issue with the technology “improvements” is only relative. These engineering styles aren’t good or bad in an absolute sense. The question is whether they serve the songs and the personality of the band. I think Dashut, Caillat, and the band had already pioneered a personal production style in their batch of albums, and in retrospect it was a better fit for the songs than anything since. The evidence is that the original “Dreams” is much better than any of the four dozen modern remixes of the song, and the original songs on Tango are better than all those club remixes, which huff and puff like aerobics and you lose the emotional core of the song.
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moviekinks.blogspot.com Last edited by David; 05-12-2021 at 01:05 PM.. |
#21
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Add to the fact, (Re: flavor flav comment). It sounds like Stevie is holding her nose or has a nose plug on her nose in the intro. How did anyone not hear how horrible that sounds?
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#22
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I can see why someone would hate the opening of the song, but I think that discomfort or resistance is part of the experience of the lyric. When I first heard it, I laughed out loud. It was so absurd and disturbing and smart at the same time. |
#23
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I guess it's foreshadowing what her regular voice sounds like now. So there was that.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" Last edited by jbrownsjr; 05-13-2021 at 09:06 AM.. |
#24
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Well, I give you that: she really does sound this way ALL THE TIME these days.
Last edited by jbrownsjr; 05-13-2021 at 11:55 AM.. |
#25
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When you sound horrible, EVERYBODY FINDS OUT!
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#26
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"...every time, you don't come..." "my little demon..." oh dear... |
#27
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It's possible. The effect is the same: one of disconnection and loneliness. I really like the opening to the song.
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#28
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All of Stevie's best songs seem to be about several things at once. This sounds like a love on the road that was tried to be kept secret. I cant remember where I read possibly it was Billy Burnette? I have no source on that just something that I heard that could be completely not true.
What I do appreciate about this song is the first line. Could it be one of her few songs that touches on her klonopin addiction while on tour? We see no change in sight watching her decline She gets on a midnight plane She's done it a thousand times
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#29
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same here.
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#30
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Last edited by bombaysaffires; 05-15-2021 at 11:18 AM.. |
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