#46
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Christine McVie- she radiated both purity and sass in equal measure, bringing light to the music of the 70s. RIP. - John Taylor(Duran Duran) |
#47
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Tango/OOTC
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#48
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This album is very special to me. Its a fantastic album. But it was released the summer I graduated from college. I was moving all around and songs like Soul Drifter became my theme song. I had the cassette in my 1985 Pontiac Grand Am and it stayed in my tape deck all year. Listening to it really brings me back. Wrong was an incredible video that blew up MTV at the time.
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My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#49
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Rooms on Fire Juliet Long Way to Go As Long As I Follow Nights in Estroil Hollywood …. As Buckingham produced tracks! |
#50
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I think it's his best solo album.
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#51
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The musical landscape changed and he was a out of the public sphere for five years, which is a long time in music. "Wrong", "Countdown", and "Soul Drifter" achieved minor airplay, but none of them were hits. His first two albums, while not massive smashes, had at least one top 40 single to buoy the album. By the time Buckingham was on the road touring the album, Out of the Cradle was no longer on the charts.
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#52
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#53
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The cover sucks. And something else. I could have done without “This Is the Time.” Other than that, I love a lot of ballads here: “All My Sorrows,” “Soul Drifter,” “You Do or You Don’t,” “Surrender the Rain,” “Say We’ll Meet Again.” This album has his best batch of ballads since Tusk.
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moviekinks.blogspot.com |
#54
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Oh I agree with that. My first impression was that Lindsey looked like an addict or a psychopath.
And that haircut. I never liked his Go Insane and OOTC haircut. Even in some Tango pictures he got that cylindrical haircut. Was he trying to imitate Grace Jones?
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#55
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#56
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Heresy!!!
Maybe the best song on the album.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#57
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As for "This is the Time", I prefer the live version, although the studio recording is more than sufficient. |
#58
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This Is The Time was initially my favorite too (though You Do Or You Don't soon grew to be my favorite). Can't imagine the album without it. It's Tango In The Night's younger, fiestier, crazier brother.
My heresy is that I'm not a fan of the schmaltzy old world charm of Say We'll Meet Again, and was bothered by its inclusion as the closing track on Solo Anthology.
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Joe |
#59
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#60
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I remember stumbling on OOTC at a music store. Because it got almost zero promotion or airplay, and because I hadn’t watched music television in a few years (had been in the Deep South in grad school, going to blues and zydeco bars!), I didn’t even know he’d released the project.
I brought the disc home, played it, and within the first four seconds I was hooked. I couldn’t believe how good it was! It still blows me away. Law and Order remains my favorite, and Gift of Screws has its moments, but OOTC is, as you all have mentioned, his greatest achievement. |
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