Sheryl working with Stevie on new song

[Jondalar]

Originally Posted by UnwindedDreams

It will be an album. Stevie learned with Show Them The Way that singles or dropping a one-off new song doesn’t work. She’ll go the way she likes to do it with tv appearances and a tour.

She is not going to get big sales no matter what, so what does it matter? She can't be doing this for sales. That part of her life is over.

[bombaysaffires]

Originally Posted by Jondalar

She is not going to get big sales no matter what, so what does it matter? She can't be doing this for sales. That part of her life is over.

I don't understand her premise.....

[secret love]

Originally Posted by Jondalar

She is not going to get big sales no matter what, so what does it matter? She can't be doing this for sales. That part of her life is over.

In Your Dreams album sold over 300,000 copies. Yes, how pathetic.

LOL!

Do you know how many bands would kill to sell 300,000 copies of their albums?

[Jondalar]

Originally Posted by secret love

In Your Dreams album sold over 300,000 copies. Yes, how pathetic.

LOL!

Do you know how many bands would kill to sell 300,000 copies of their albums?

It's not gold. Not too good for a supposed legend and that was years ago. She hasn't had a gold album since TISL and that wqs over 20 years ago.

[secret love]

Originally Posted by Jondalar

It's not gold. Not too good for a supposed legend and that was years ago. She hasn't had a gold album since TISL and that wqs over 20 years ago.

As an independent musician, I would give my left testicle to sell 300,000 copies of my latest album. Just sayin'!

[UnwindedDreams]

Originally Posted by secret love

In Your Dreams album sold over 300,000 copies. Do you know how many bands would kill to sell 300,000 copies of their albums?

I know. Did it sell that many? I remember in 2012, she expressed her sadness that it sold 100,000 copies for a "star like moi".

I still want to know how many downloads of Show Them The Way there were. She did a lot of print interviews for its release and CBS New Sunday Morning. People said it was in the top 10 of iTunes download on the day of release but what does that mean? 100,000 downloads?

[BigAl84]

I hope it's not an album because it sounds like it will be an album with multiple different producers working on different tracks - an approach that she still insists doing, yet always proves problematic for her.

[BigAl84]

Its hilarious how much she REALLY wants mega commercial success, but unwilling to let go of her ego enough let a producer like Jack Antonoff take her table scraps and completely reinvent them into something. She's got this small circle of people she keeps coming back to because they know how to tiptoe around her. I wonder if she's using any of Mike Campbell's tracks that she was too busy to even send a "Thanks" in return.

[UnwindedDreams]

Originally Posted by BigAl84

Its hilarious how much she REALLY wants mega commercial success, but unwilling to let go of her ego enough let a producer like Jack Antonoff take her table scraps and completely reinvent them into something. She's got this small circle of people she keeps coming back to because they know how to tiptoe around her. I wonder if she's using any of Mike Campbell's tracks that she was too busy to even send a "Thanks" in return.

The other big producer is Andrew Watt. I believe he produced the classic Stolen Car duet with Elton but of course that was Elton’s song which she featured on. The kid is good. Macca, Ozzy, Elton, Lenny Kravitz, and Eddie Vedder love him.

[BigAl84]

Oh, it's no doubt that he's a great producer. It's just that his mileage will vary greatly when it comes to Stevie and her demos.

[Straightback]

Originally Posted by BigAl84

Its hilarious how much she REALLY wants mega commercial success, but unwilling to let go of her ego enough let a producer like Jack Antonoff take her table scraps and completely reinvent them into something. She's got this small circle of people she keeps coming back to because they know how to tiptoe around her. I wonder if she's using any of Mike Campbell's tracks that she was too busy to even send a "Thanks" in return.

Agreed. Brings me back to "Twisted" which has always been a peculiarity to me. I thought Lindsey did a great job with the song for the "Twister" soundtrack. It was like BuckinghamNicks.2. Then we heard she hated what he did to the song which always flummoxed me, especially when we were given not, one but two reworked versions approved by her, which (in my humble opinion) sucked buffalo chips. I'm largely intrigued and confused by what she envisions her work to become. "Gypsy" is another one. Listening to the early demos, its a nice enough rocker, but had Lindsey not molded it into the classic it became it would have easily fallen into the "nice-but-easily-forgotten" basket. I often wonder what other classics of her's with Lindsey's fingerprints on them she secretly begrudges but holds her tongue because they form the foundation of her legendary songwriting status.

[HomerMcvie]

Originally Posted by Straightback

Agreed. Brings me back to "Twisted" which has always been a peculiarity to me. I thought Lindsey did a great job with the song for the "Twister" soundtrack. It was like BuckinghamNicks.2. Then we heard she hated what he did to the song which always flummoxed me, especially when we were given not, one but two reworked versions approved by her, which (in my humble opinion) sucked buffalo chips. I'm largely intrigued and confused by what she envisions her work to become. "Gypsy" is another one. Listening to the early demos, its a nice enough rocker, but had Lindsey not molded it into the classic it became it would have easily fallen into the "nice-but-easily-forgotten" basket. I often wonder what other classics of her's with Lindsey's fingerprints on them she secretly begrudges but holds her tongue because they form the foundation of her legendary songwriting status.

LEGENDARY song writing status?..... that's ALL Lindsey. She scribbles some gibberish, and is LEGENDARY?

[BigAl84]

Originally Posted by Straightback

Agreed. Brings me back to "Twisted" which has always been a peculiarity to me. I thought Lindsey did a great job with the song for the "Twister" soundtrack. It was like BuckinghamNicks.2. Then we heard she hated what he did to the song which always flummoxed me, especially when we were given not, one but two reworked versions approved by her, which (in my humble opinion) sucked buffalo chips. I'm largely intrigued and confused by what she envisions her work to become. "Gypsy" is another one. Listening to the early demos, its a nice enough rocker, but had Lindsey not molded it into the classic it became it would have easily fallen into the "nice-but-easily-forgotten" basket. I often wonder what other classics of her's with Lindsey's fingerprints on them she secretly begrudges but holds her tongue because they form the foundation of her legendary songwriting status.

She's convinced herself more and more in the past 10-15 years that her demos are absolutely amazing and that anybody producing her should stick as closely to the demo as possible. The decision to redo Twisted for 24k Gold was probably made with the same mindset. She actually removed the most interesting parts of the song and made it one overly repetitive, lengthy mess. The same goes for "My Heart"

Did she have negative criticism about Twisted shortly after it was released on the soundtrack?

[secret love]

Originally Posted by UnwindedDreams

I know. Did it sell that many? I remember in 2012, she expressed her sadness that it sold 100,000 copies for a "star like moi".

I still want to know how many downloads of Show Them The Way there were. She did a lot of print interviews for its release and CBS New Sunday Morning. People said it was in the top 10 of iTunes download on the day of release but what does that mean? 100,000 downloads?

I think it was a 2013 interview (it's on YouTube probably), Stevie said "it (IYD album) probably sold like what, 300,000 copies, not that many copies, but I personally sold every one" (I'm paraphrasing)

Originally Posted by BigAl84

Oh, it's no doubt that he's a great producer. It's just that his mileage will vary greatly when it comes to Stevie and her demos.

Stevie's great weakness is and always has been since she started writing songs, that she cannot write good music - yes, she writes iconic lyrics like Rhiannon, Landslide, Silver Springs, etc - but her piano playing and guitar playing is... a bit s-h-i-t. I'm sorry to her fans (of which I am one), but the woman cannot play to save her life. She can accompany herself as a solo performer but not in the way Lindsey did with his One Man Show, etc, no - Stevie will never come close to that.

As such she relies too heavily on other musicians and electronic producers like Dave Stewart. If she had just focused on playing her instrument better back when she was still playing guitar and piano and not just using them as a writing tool for songwriting (this was only a brief period in her very early career)... maybe she could put out new songs now without paying Dave Stewart, Greg Kurstin and Sheryl Crow the megabucks.

Just my 2 cents.

[Jondalar]

Originally Posted by secret love

I think it was a 2013 interview (it's on YouTube probably), Stevie said "it (IYD album) probably sold like what, 300,000 copies, not that many copies, but I personally sold every one" (I'm paraphrasing)



Stevie's great weakness is and always has been since she started writing songs, that she cannot write good music - yes, she writes iconic lyrics like Rhiannon, Landslide, Silver Springs, etc - but her piano playing and guitar playing is... a bit s-h-i-t. I'm sorry to her fans (of which I am one), but the woman cannot play to save her life. She can accompany herself as a solo performer but not in the way Lindsey did with his One Man Show, etc, no - Stevie will never come close to that.

As such she relies too heavily on other musicians and electronic producers like Dave Stewart. If she had just focused on playing her instrument better back when she was still playing guitar and piano and not just using them as a writing tool for songwriting (this was only a brief period in her very early career)... maybe she could put out new songs now without paying Dave Stewart, Greg Kurstin and Sheryl Crow the megabucks.

Just my 2 cents.

I liked the raw production of 24 karat gold, but after hearing For What's Worth, I think Greg Kurstin is her best producer. The production was perfetion and her voice sounds great on that track. She hadn't sounded better since 1987. As far as Sheryl Crow is concerned, I liked her production, but John Shanks production was better. The production on the title track TISL is perfection. However, I really liked Crow's middle-eastern experimentation on some of tracks but those versions never saw the light of day. I think if TISL had that middle-eastern flair it would of made the album a lot more interesting.