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#31
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Dear Jeremy,
as I understand it, reading some of your interviews, you didn't like most of the music of FM's contemporaries, Are there any exceptions from that era that you like to listen to? Last edited by Karl-Heinz; 10-02-2009 at 10:29 AM.. |
#32
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Re Teenage Darlin'
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#33
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re contemporaries
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I liked Neil Young's 'After the Goldrush', however, and some contemporary country stuff from that time, but that music was anathema to the hippie movement! Merle Haggard, Don Gibson and Loretta Lynn etc! |
#34
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Hi Jeremy! One question only.........if you were asked, would you rejoin Fleetwood Mac now?
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#35
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would I?...
If I was asked? No.
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#36
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Better still, how about joining the Mick Fleetwood Blues Band...now that I would want to see!
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#37
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It wouldn't be that much different...
Because I would be more or less obliged to tread mostly old ground.
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#38
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Quote:
Listened to wat i can of your recent material and from what i´ve heard i prefer it to your stuff with FM. Your obvious passion still shines through but i´m hearing a lot more sophistication for want of a better word....so im looking forward for anything new coming. Well my question if poss, did you ever get the chance to jam with jimi hendrix or clapton? |
#39
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Music to my ears, Manastrat!
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To answer your question, I never jammed with Jimi, but after playing at a London press conference in 67, he came up to me and told me I had the right thing for Elmore James that other cats didn't. That was quite the encouragement! Eric? Pete was jamming with him at a rehearsal in Boston and he asked me if I wanted to join in. I declined out of fear and intimidation, and Joe Walsh took my place! Anyway, thanks, Jeremy. |
#40
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Awesome!
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Im feeling cheeky and i would like you to have a listen to some songs i made if you can get the chance http://www.reverbnation.com/leewymer |
#41
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Songwriting
Jeremy,
I'm curious about the writing of the original songs on Precious Little. In the notes, you mentioned that the title track had been recently written, and the melody for Maria de Santiago had been written seven years earlier. Is there any other information you can share on how and/or when the songs on the album were written? Do you currently write songs regularly? P.S. I attended the slide guitar workshop at the Chicago blues festival and the earlier Fitzgerald's show, and very much enjoyed both of them. |
#42
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I have seen this one earlier!
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Actually 'Maria' temporarily had lyrics before about a totally different subject, which I was not satisfied with, so to my mind it was definitive when it changed to be about the saint . The liner notes of Precious Little covered the writing of "Psychic Waste' and "Serene Serena" I believe. "Many Sparrows" I wrote in England in 2001 and 'Bitter lemon' I wrote just before doing the 'In Session' video/CD a couple of months prior to recording 'Precious'. 'Trouble and Woe' I wrote with a piano playing friend while doing the 2000 Indian concert. I have a few songs in the works, I just have to get down to business and finish them! It's often a lyrical issue. If you are a praying man, please do so for my lyrical laziness! Sincerely, Jeremy. |
#43
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Thanks
Jeremy,
Thanks for the information on the songs. “Did I meet you there?” No, I didn't have the opportunity to meet you, but again, really enjoyed the performances. “If you are a praying man, please do so for my lyrical laziness!” I'll see what I can do! Both for you and for those of us who look forward to hearing more of your work. Best regards, Hitch |
#44
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Jeremy,
Question for you.... When an Original Fleetwood Mac album is released like the Shrine 69 concert from Dinky Dawson or The BBC Sessions, or any of the other 'unreleased recording sessions' that have been released to the public in the past 10+ years or so, are you ever asked about your material that is to be included? Do you have any input into which of your songs are used? -Al |
#45
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And related to the above question - do you get proper royalties from these collections of old material? Sometimes it doesn't seem all that clear who owns the music. I'd like to think that when I buy this stuff, the musicians still see the benefit.
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