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View Poll Results: Pick your favorite album EXCLUDING STEVIE'S SONGS. | |||
'75 Fleetwood Mac | 1 | 2.50% | |
Rumours | 16 | 40.00% | |
Tusk | 15 | 37.50% | |
Mirage | 1 | 2.50% | |
Tango in the Night | 7 | 17.50% | |
Voters: 40. You may not vote on this poll |
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#46
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Am just listening to the UK top 40 singles chart to see where 'Everywhere' is this week.
I think it will have dropped a few places but we'll see (missed the very start so if it's dropped quite a bit might have missed it). Having not listened to the charts in full for many years I'm finding this very painful! Either I'm getting old or this stuff is just bl**dy awful! A bit of both I think |
#47
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Official:
Everywhere down to #29 Still, great that it made the top 20 last week again |
#48
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I've seen this ad twice in the cinema over the last week and both times everyone in there went mad for it! felt rather proud! Also looks awesome on a huge screen and of course it was very cool to hear Everywhere blaring out of the speakers!
__________________
leah x |
#49
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NME Hundred Best songs of the Eighties [this was only FM song to make the cut]
http://www.nme.com/list/100-best-son...266358/page/10 #92 Released: February 1988 Penned by Christine McVie about new husband Eddie Quintela, it was McVie doing what she did best; a simple song about the joys of new love. Lindsey Buckingham’s typically progressive production covered the song in a glossy 80s sheen, and would lead to another massive hit for the band from their monolithic ‘Tango In The Night’ album. |
#50
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Top Twenty Most Share Advertisements by Christopher Ratcliff, Nov. 21, 2013
http://econsultancy.com/uk/blog/6384...tm_source=blog 16. Three: The Pony #DancePonyDance: 1.06m Combining the twin might of 2013’s most inexplicably favoured cultural references: Fleetwood Mac and tiny horses (also see Budweiser), this is Three playing to the trendiest common denominator. |
#51
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Christmas Pony!
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#52
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__________________
-- Mark -- |
#53
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Here are the credits for our little pony:
http://lbbonline.com/news/threes-moo...-gets-festive/ CAMPAIGN: CLIENT Three PROJECT NAME Pony Christmas SYNOPSIS OF SPOT A Shetland pony moonwalking through a snowy countryside, with hints of Christmas touches popping up through out. FORMAT 60 seconds CLIENT CONTACT Pippa.whybourne@three.co.uk LAUNCH DATE 29th November DURATION OF CAMPAIGN 1 month W+K LONDON Creative Directors Hollie Walker, Freddie Powell Copywriter Art Director Producer Madeline Smith Account Team Sophy Woltman, Nick Owen Executive Creative Directors Tony Davidson / Kim Papworth Agency Executive Producer Danielle Stewart PRODUCTION Production Company Blink Director Dougal Wilson Executive Producer Line Producer Director of Photography EDITORIAL Editorial Company Editor Post Producer Post Executive Producer VFX VFX Company MPC VFX Supervisor Jake Mengers Flame Artist Tom Harding VFX Producer Josh King Titles/Graphics MUSIC + SOUND DESIGN Music+Sound Company Christine McVie/Fleetwood Mac Composer Sound Designer Song (if applicable) Everywhere Producer MIX Mix Company Wave Mixer Jack Sedgewick Producer |
#54
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Tensnake's Spotify Playlist from the Coca-Cola Unbottled Blog
http://www.coca-colacompany.com/coca...otify-playlist 5. We believe that happiness is better shared; please can you pick a song from your playlist and tell us who you’d like to share it with? Fleetwood Mac – ‘Everywhere’ - It’s a great song and the lyric, “I wanna be with you everywhere”, that’s how I feel about my girlfriend! When you are on the road, this is wishful thinking. |
#55
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[Christine haunts this guy everywhere. This is a Wired Magazine article about what you hear when there's silence]
http://www.wired.com/2015/05/big-que...-things-arent/ Wired by Bryan Gardiner May 19, 2015 In 2008, while sitting alone in a dark, sound proof room at Bell Labs in New Jersey, Abumrad heard a swarm of bees and the Fleetwood Mac song, “Everywhere.” The bees came first, about five minutes after Abumrad had sealed himself inside the chamber. During his hourlong stay, other faint sounds—like wind blowing through trees and an ambulance—seemed to appear and vanish from one or both of his ears. After about 45 minutes, Abumrad began to hear distant lyrics to a song, a song that sounded as if it was coming from a neighbor’s house: Ohhhhh Iiiii, I wanna be with you everywhere. “The room is quiet, my head apparently is not,” he said in a followup post on Radiolab’s website. “For a long time it was assumed that sound simply enters the ear and goes up to the brain,” says Trevor Cox, a professor of Acoustic Engineering at the University of Salford. “Well, there’s actually more connections coming down from the brain to the ear than there are going back up it.” |
#56
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This is what Stevie said about Everywhere in 1987:
Quote:
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