#91
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I could also picture the source as being non-existent, since the Enquirer is a rag without journalistic integrity. I mean they do crack some stories like John Edwards' love child, but they also make a lot of stuff up. Michele
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#92
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Michele |
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Given his ever-increasing propensity of working in a solitary manner, tinkering with technologies, it's easy to understand why her collaborations with him felt cold, removed and distant. Add to that her personal issues at the time, Stevie was just not happy. She was so sullen on that tour. Even though I've sometimes criticized Lindsey's somewhat steely production on Say You Will, I still love the album for what it is. It does seem to lack a certain warmth. But it's still a very edgy, creative and unique album. It's a worthy piece of their legacy. Stevie's songs, practically an album unto itself (with the inclusion of Not Make Believe) are up to par, yet distinctive to the time and circumstance in which they were created. Keep in mind that Lindsey played a significant role in establishing the rock star status she has achieved. He molded her raw demos into commercial gold, even in times when they became arch enemies. He has never wavered in his intentions to work with her to do the best he can with her songs. Lindsey is not Hitler, as he has shown a much more pragmatic demeanor than Stevie.
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Life passes before me like an unknown circumstance Last edited by PenguinHead; 06-08-2015 at 04:56 AM.. |
#94
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#95
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exactly. They could easily find this forum and come up with something that short pretty quickly.
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#96
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According to jbrownsjr... Stevie and Lindsey have hated each other for years. He was not available for further comment.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
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well, Christine's recent comments add do a real credibility to the notion that they haven't gotten along with each other for long time offstage.
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#98
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I do think he *was* a douche to work with for many years... not just Stevie has said so but also Mick and Chris. Mick and his cowriter used the word "martinet" in his first book which is just a fancier way of saying dictatorial douche. Chris said on BBC with Johnnie Walker that Lindsey could be very cold and hard to work with in the early days. He could be very caustic and condescending in how he interacted with people.. you see a faint reminiscent glimpse of it in the SYW doc when he does the "listener of listeners?" thing with Mick and that whole convo. I think (in addition to at times really wanting to give Stevie payback) really he was just so focused and intense that his attention to social niceties and concern for others in the studio could get lost. In later years John Stewart made some comments about Lindsey being pretty scarily intense in the studio. I think he was just as hard on himself as he was on others, but maybe that was hidden from view or harder for others to see. I think with Stevie he was sometimes just nasty... because he just had all that anger that festered and the "lack of closure" he always talks about nowadays. Did Stevie add to it as well? Certainly. Codependence, baby.
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#99
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“I spent a lot of time with Stevie when she was making her solo album this last year and we spent a lot of really nice quality time…” “I’ve spent a good deal of time with Stevie in the last year and we’re getting along, you know, as good or better than we’ve ever gotten along” "You know, she has an album out as well and we spent a good deal of time together…” "I knew Stevie was working on a solo album and I called up and I said, ‘Is there anything I can do?’ So I started going over there and hanging out, and we just had the best time.” Quote:
And in an interview about the EP songs in 2013: Extended Play” also features “Miss Fantasy,” a new track with very classic Fleetwood Mac harmonies. How did that come about? That was sort of in a moment when I’d had some interaction with Stevie where I felt like I was tapping into the whole lexicon of memories and of emotional connections going all the way back to before she and I were a couple. She was really much caught up in the world of her solo effort. It was right at the end of that and I felt like it was hard to kind of find her in all of that or that perhaps more accurately, it was harder for her to find me, and the person that she knew and trusted and so you know, “Miss Fantasy,” it may be “you don’t remember me/but I remember you” and that’s really what that’s about.
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"There’s nothing going on between you and me except that there will always be something going on between you and me. Until the day we die"
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I give Lindsey credit, though- as much as Stevie continues to bad mouth him to the media (with a few notable exceptions where she was having rare bouts of mania) and keep FM out of the recording studio, Lindsey's kindness to Stevie in the press has never wavered. His desire for a new Mac album must be pretty strong to put up with her unrelenting abuse.
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#101
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^^ good points...
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#102
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Even back then, Lindsey was always looking over his shoulder!!
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" Last edited by jbrownsjr; 06-09-2015 at 10:13 AM.. |
#103
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#104
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Love this!
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#105
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Michele |
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