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Danny LP
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#2
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That's the US release of his Midnight In San Juan album. Here, it was just titled Danny Kirwan and had the alternate cover you see in the eBay photo.
Here's the entry from the Penguin Discography: Danny Kirwan: Midnight In San Juan
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#3
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"hello big boy" I haven't heard though... |
#4
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Hello There, Big Boy is pretty good, too. Although, Danny's guitar is pretty much non-existent. Bob Weston & Kirby handle most of the lead guitar work on it. Plus there's a great version of "Only You" (with a cool middle section that wasn't in the early Fleetwood Mac versions).
Actually, HTBB, sounds quite a bit like the latter day Badfinger albums. I don't think Second Chapter "sucks", but it was such an odd left turn in sound from his Fleetwood Mac days that it took me quite a few years to accept.
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#5
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My biggest gripe with the album is that they were clearly trying to capitalize on the success of Bob Welch's "French Kiss" album. Both had racey titles, both had old Mac song, and both had similar covers:
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#6
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And, it had a song on the album titled "Spaceman" which COULD be taken as a dig at Bob Welch's spacey songwriting.
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#7
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I'm fairly sure that "Hello There Big Boy", a phrase which in England suggests our sort of tongue-in-cheek 'seaside postcard' humour, plus the silly cover, is very much a light-hearted dig at Bob Welch's rather moody "French Kiss" cover. I really can't see Danny's cover as anything else There's certainly nothing racy about it, just look at Danny's expression! Although maybe it was a bit more pointed than that - Danny and Bob never got on particularly well.
Also it's worth noting that Bob was practically unheard of in the UK, and as a British artist, Danny probably wouldn't have seen Bob's success as worth trying to emulate - Danny was surely well beyond travelling to the States by that point. HTBB was only done to fulfil a contractual obligation to DJM Records, there was no promotion, gigs or publicity and I'm sure no success of any type anywhere was anticipated. The album is patchy, I think - 'Caroline' and the aforementioned 'Spaceman' are the best two, with 'Only You' - I heard the Mac version (Live at the BBC) first, so I always preferred that one. That song was surely used as a filler to try and disguise the fact they didn't have many songs, and since at that time it had never been officially released as a Mac song, it was new to most ears. 'Wings of a Dove' is OK, and most of the rest are covers, or contributions from the other guys working on the album. Kirby wrote one, Tony Rivers wrote quite a good one and Dana Gillespie wrote one with Clifford Davis. The only other track is Danny's duet with Dana Gillespie, 'Summer Days and Summer Nights', which is a strange little song. As for "Second Chapter", it doesn't suck - it's over-produced though. The "Ram Jam City" demos CD is a better bet - it's effectively the same album stripped of the cheesy horns and strings, and it fits in much better with the style of his second album. I heard RJC first and afterwards hearing SC was a bit of a disappointment, but I like all of it really Last edited by bretonbanquet; 12-14-2005 at 08:32 AM.. |
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My biggest disappointment with RJC is the omission of "Love Can Always Bring You Happiness", which is probably my fave tune on SC. I just wish that Danny would have layered guitar parts instead of favoring those cheezy Mini-Moog synthesiser parts throughout Midnight In San Juan.
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#9
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#10
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When was it released?
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#11
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Per the Penguin Discography link I posted above:
EDIT, EDIT, EDIT...Danger, Wil Robinson, Danger Wil Robinson, typo alert, typo alert: SHOULD'VE been: September 1, 1976...about 5 months before Rumours
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia Last edited by chiliD; 12-14-2005 at 03:25 PM.. |
#12
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#13
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DavidMn, which album are you asking about? ChiliD's response would be for Hello There, Big Boy. Midnight In San Juan was released in 1976, and I believe much or all of it was recorded in '75 (maybe even late '74?).
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#14
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#15
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See edit above...1979 was a typo.
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
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