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I was pretty astonished to see that someone took the words right out of my mouth on this - with the exception of "Blood On The Floor" which I simply can't stand at all. But apart from that one it's a joy for me to listen through the whole album. Now, I'm a hopeless Peter Green fan - so how come me preferring "Kiln House"? Although Greeny's my guitar main man and the biggest influence on my own guitar playing, it's mainly his uptempo songs and / or the ones in major keys that I get off on these days. By now I'm a pretty old geezer, and since the love of my life has passed away I have to struggle with depressions more than before. Whereas much on "Then Play On" is in minor keys, mostly melancholic and - rather more than not - bringing me down, "Kiln House" is such an uplifting album . . . as simple as that. And it has some of Danny Kirwan's best playing (which I'm a fan of just the same) on it. And Christine, of course - although uncredited, but clearly detectable! I'm well aware that this preference might in fact present something of a sacrilege to a lot - if not most - early Mac fans, but aleuzzi just made me voice out this humble opinion, which I'm not ashamed about at all . . . even if I drifted quite a bit off-topic. "Kiln House" is a damned fine album for me money. Last edited by lazy poker; 08-18-2023 at 07:02 AM.. |
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I was listening to “Closing My Eyes” and it hit me it would have been better served with a Brian Wilson/Gary Usher/‘60s Laurel Canyon style of production.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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But—and it’s a big but—for Then Play On’s excellence, I still prefer Kiln House. |
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Mike Vernon missed a golden opportunity for an album title for Christine Perfect:
The Hen Flies The Coop.
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
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