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#1
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john the revenuer
I am somewhat suspect of buying a "pig in a poke" to use a 19th century saying.
Has anyone heard Toms Band? Does John Mayall or Peter get anything out of this? John himself lost a lot of his old stuff in the Laurel Canyon fire and you would think that he would be interested in some of this. He did after all release "The Stumble" and was it "Double Trouble" or was it " So Many Roads"( i forget) from that era. I'm just saying that if it is some sort of financial arangement amongst all the parties i would feel better about this. March 1967....Was Mick still there or was he canned already? doodyhead I assume because Peter John McVie and possibly Mick Fleetwood were in this recording it should be in the pre rumors rather than Peter Green's section. .. |
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#2
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Quote:
To me, the whole concept of "I will give it for free... as long you buy a record of a band you never heard about before" seems specially designed for selling the Bluesbreakers record indirectly. I can't help but think that if such arrangement was necessary in first place, there's a good chance that the John hasn't authorized the thing. I apologize if I'm being too suspicious, as far as I know, the records could be perfectly legal. It's just that I would like to know for sure before considering the buy. |
#3
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royalty pain
Dear Muddy
Welcome to the ledge. MY thought is that if he did get some feedback from mayall on this i would be happier in this if he would reveal it. There is plenty of free music from the past out there. just ask the greatful dead. i am sure he did not ask mayall permission to record it in the first place. You would think he would be secure enough in his own music not to resort to this vinnie c |
#4
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Next offer
Hi all,
Disregarding the discussions above concerning the procedures, I can let you know that Tom has revealed to me that the next disc (Manor House, which is supposed to be better) will be available end of october. Don't know what we'll have to purchase besides. Still, the discussions above seem very meaningful, especially the comment concerning free bootleg recordings like the Greatful Dead. |
#5
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for example says doodyhead, mel and vinnie
http://www.archive.org/details/etree
search their database of free music from living and dead musicians that we all know. They took off line those that have been commercially released just saying..... doodyhead |
#6
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So did anybody buy the download with the Mayall/Greeny show?
It seems all traces of it are gone from the webstore now. As expected. |
#7
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Very disappointing! Will we ever going to hear these, as I understand, priceless recordings.
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#8
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The Morton Report
http://www.themortonreport.com/enter...rs-live-in-67/ Album Review: John Mayall's Bluesbreakers Live in 1967 March 22, 2015 By Jeff Burger, Contributor If you’re a serious Fleetwood Mac fan, you’re undoubtedly familiar with the early 1970s version of the group—the one that gave us albums like Bare Trees and Heroes Are Hard to Find before Stevie Nicks and Lindsey Buckingham came aboard and helped turn them into superstars. You may also know of the even earlier version of Fleetwood Mac that Peter Green led and that delivered terrific blues rock from 1967 to 1969. (See the fantastic six-CD Complete Blue Horizon Sessions.) What you may not know is that even that group had a precursor — for just three months in 1967, before they split off to form the first Fleetwood Mac, Peter Green, John McVie and Mick Fleetwood served in one of the many incarnations of John Mayall’s Bluesbreakers. You can hear Green and McVie with Mayall on 1967’s A Hard Road; and on a 2003 expanded version of that album, you can listen to tracks that feature Mick Fleetwood as well (not to mention Paul Butterfield). What you apparently couldn’t hear until now was how that group sounded live. It turns out, though, that a fan sneaked a recorder into five London clubs in 1967 and taped their performances of 13 songs, including versions of such classics as T-Bone Walker’s “Stormy Monday,” Otis Rush’s “I Can’t Quit You, Baby” and Billy Myles’s “Have You Ever Loved a Woman,” which was popularized by Freddie King and, later, by Bluesbreakers alumnus Eric Clapton. The material sat on the shelf for nearly half a century, but Mayall recently acquired and restored it. It will be released next month as Live in 1967. The original recordings from which this album was assembled were neither stereo nor even high fidelity, so the audio falls pretty short of what we’re used to these days; it sounds like what you might hear if you were outside the club, catching the music through a half-open window. But Mayall and his record label have made the most of what they had to work with and the result is certainly listenable throughout. Moreover, this material should prove fascinating to fans of both Mayall and the original Fleetwood Mac. The program is stellar and guitarist Peter Green in particular is in fine form throughout. |
#9
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67 shows
Actually I was impressed with the quality of the shows. Much better then I really expected. Contacted Tom over a year ago and got all 5 shows though I did buy 3 of his cds. These shows are very listenable. Tom was very easy to deal with and received the shows quickly.
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