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Do we know how/why Fireflies, One More Night, and Farmers Daughter came about? Were they working on new songs while on tour? I didn't think they workshopped a lot of material during soundchecks etc. It was always a head scratcher to me that they were coming off such a commercially successful era of touring (Rumours & Tusk) yet they put 3 completely unknown tracks onto a live album. Were they trying to come up with some sort of single to promote it with? Why were they at the Santa Monica Civic Aud for two days directly after the tour closer at the Hollywood Bowl? Were they trying to re-record some vocals in a live setting instead of a studio? Is it possible they briefly contemplated putting together a studio album of material to recoup their losses from the mismanagement of the Tusk Tour? SO. MANY. QUESTIONS!
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Last edited by BigAl84; 03-13-2024 at 12:48 PM.. |
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#2
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I think it was just to make the Live album that was only technically pulling from only 3 studio albums a bit more interesting to add some new tracks to make it more marketable. |
#3
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It's funny that none of us, (Including David 0) have really very little information on this. Steve Mac? Anything to add?
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
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Back in the day there was an industry magazine called Ice Magazine and I read an article about the album. It's been a while, but I though it said that they recorded all shows on the Tusk tour to pulled songs for a live album. I haven't seen any evidence of soundboard recording of all shows from the tour, but who knows maybe there are still some in the vault somewhere. Knowing Lindsey he wouldn't want to release an album without some new material. I think that was the industry standard then even though done of those live tracks had been released before. I've tried looking online for that article, but haven't found it yet.
Back then I usually kept up with release dates and bought albums on the date they were released, but it seems that I remember walking into a Record Bar in the mall and saw the Live album already on the shelf. It hadn't been released more than a few days, but I was pleasantly surprised and excitied. Seems like it was around the holidays. The Live album has always been one of my favorites. At that time you had to rely on bootlegs or a few of the radio shows to hear live performances.I think it's perfect exactly the way it is even though people on here tear it apart and complaint about everything.
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#5
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
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The Live album got virually no promotion, so it no wonder it didn't do any better. I guess they weren't expecting much. Plus, they were burned out from the tour and I'm sure didn't want to go back to work, especially after the management shakeup.
If this Wikipedia article is to be believed, they recorded over 400 shows between 75-79. That would tie in with all the Tusk shows being recorded. It's a shame we haven't gotten a whole uneidted Tusk show. The extra live disc they included with the Live reisssue is awesome, and it doesn't appear to have any overdubs, but it is created from different shows. We should get a petition going for them to release them all even digitally! https://en.wikipedia.org/wiki/Live_(Fleetwood_Mac_album)
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#7
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I haven't listened to "One More Night" in 15 years. Probably more. But I gave the demo a shot, and it's lovely. None of the shrill, whiny vocals on the released version. I can't quite articulate the thought, but there's something about her vocal delivery that reminds me of a Stevie demo. But with better piano playing.
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