#31
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#32
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Now you tell me.
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I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#33
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I'm surprised at how many of these I haven't seen! Thanks to the person who posted the link to the Going Home documentary.
In trying to search for the Fleetwood Mac at 21 documentary (does anyone have that??), I did manage to find a whole other documentary I had never seen. It's about Fleetwood Mac but told with Mick as the protagonist, called Two Sticks and a Drum, from 2001. It's really well done. It includes new interviews with bunches of people and certainly isn't just about Mick, but the unique perspective allows for interesting stuff that you wouldn't get from a more even-handed approach. You may have seen it before with about 15 minutes cut out, because there is another upload of it to youtube that has a lot of views, but which has been hacked up with parts removed. The version I linked to is the complete version, it appears. |
#34
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Fleetwood Mac at 21 was a wonderful BBC documentary, made when Lindsey had just left the band. It seemed really raw for Stevie - I remember her saying something like 'As far as Lindsey and I are concerned, there's just nothing left to say'... Well, that wasn't exactly true, was it? Christine says 'I don't know what's going on with those two'.
It had an interesting audio interview with Peter Green, accompanied with photos of him with very long fingernails, and one with Lindsey with his Eraserhead hair, sitting at his studio desk, talking about his solo album and pretending to listen to the guitar solo from Big Love. I'd just got massively into Tango the previous year, and it was very dismaying to watch this great documentary telling me that this amazing band I'd just discovered had basically broken up! |
#35
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What I had already seen what the segment where Stevie talks about... that day. August 7, 1987. Probably somebody posted it here in the past, I can't remember. Watching it again, my thoughts are that though Stevie may be not completely accurate about what happened between she and Lindsey, John seems very sincere when he said They goy ugly, physically ugly. And there must have been a reason for him to tell Lindsey Why don't just leave? (the room). Now if that episode was that extreme (she mentions the word "kill"), it's hard to believe someone can get over it and invite that person few years later to record a song (like Twisted). And the other person accepted. So the story is exaggerated or Mr. Money is more important, as usual. But again, something really ugly happened that day. I do believe John.
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Mick would not take a phone call from Bob Weston in the mid 90s to compliment him on his book. Good grief!
Mick's second book IMHO was purely written as an apology session for those he wronged over his life. His praise of Bob Welch and Bob Weston were particularly high. But when they were alive he kicked them to the curb.
__________________
My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#37
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__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#38
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But what do you expect from someone that sells their RRHOF award for petty cash.
__________________
My heart will rise up with the morning sun and the hurt I feel will simply melt away |
#39
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But I read once that it was not necessarily Mick, but Warner Bros Records who didn't let her include Silver Springs, and that Mick actually couldn't do anything to help her. I don't know if this may be true.
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#40
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__________________
I would tell Christine Perfect, "You're Christine f***ing McVie, and don't you forget it!" |
#41
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__________________
My heart will rise up with the morning sun and the hurt I feel will simply melt away |
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