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Clifford Davis
I am starting a new thread on this because it has no place in McNuggets.
Clifford Davis has gotten little flack over the years. I think he arguably be a member of Fleetwood Mac, just because of his entanglements with the band. Since I have only paltry knowledge I will recount a few salient bits of information Clifford acquired publishing rights to several of Peter Greens and Fleetwood Macs songs. I assume he is on the royalty gravy train every time some of these songs are played. As a result he recorded a few of them on his "box office smashing record album " He was the person who played cat and mouse with Blue Horizon and jumped record labels which sent the band into commercial hell/ or heaven depending on your perspective He is the reason why Peter even had to talk about where his money was coming from or going to as he got the other half of the royalty check He was the guy who made the fake Fleetwood Mac band to compete with Danny Christine and company, partly because he owns rights to some of their songs from that same deal He is the person who elects to call the police on Peter. Was it real threat or convenience? And because of the above He also stands to gain financially any time the good/or bad publicity hits surrounding Peter or the Band any thoughts? The inquiring Doodyhead Last edited by doodyhead; 01-31-2011 at 12:29 PM.. Reason: i forgot something |
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#2
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Smoke and Mirrors
Here's where it gets interesting.
According to the PG bio on this site, and also Martin Celmins bio of PG, Clifford Davis was married to Mich Reynolds (who co-managed The Spliter Group), who is the sister of Nigel Watson. Last edited by Norton; 02-01-2011 at 06:19 AM.. Reason: Typo, Mitch -> Mich |
#3
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Clifford Davis doesn't hold any publishing rights. He signed over them to his wife (Mich, not Mitch) in the 70's, later on she divorced him so he lost the rights.
Last edited by dino; 01-31-2011 at 01:36 PM.. |
#4
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Good topic, and obviously a lot we could get into here. IIRC, Mick Fleetwood really laid into Clifford Davis in his book - very understandable from his viewpoint given the trouble caused by the fake Fleetwood Mac affair. I recall that Bob Brunning discusses Davis much more sympathetically in his book. Can't particularly remember how Celmins treats him but maybe more even-handedly? I'm sure he did a lot of positive things in the early days that helped with the band's success by the end of the '60s, but did that outweigh some of the other things he did? A controversial person in the history of the band for sure.
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#5
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Just imagine him being introduced into the Hall of Fame then!!
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“Oh, I wouldn’t doubt that I mimicked Stevie on-stage. And kicked her? That could have happened too.” |
#6
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[Excerpt from an article about Rich Engler's new book]
Pittsburgh Post Gazette http://www.post-gazette.com/ae/books...s/201312110022 In short order, DiCesare-Engler became one of the nation's top promoters, but it didn't start well. Mr. Engler's job was handling the deals, and the first show he booked was Fleetwood Mac, a band he'd worked with prior, at the Syria Mosque. The night of the concert, "Fleetwood Mac" showed up without Mick Fleetwood, John McVie, Bob Welch or anyone else people knew as Fleetwood Mac. When Mr. Engler balked at putting an imposter band on stage, the manager, who owned the Fleetwood name, took a swing at him. After much quarrelling, the show went on and the crowd, inexplicably, loved it. Read more: http://www.post-gazette.com/ae/books...#ixzz2nIZtMng9 |
#7
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Well, was it not for Clifford Davies, Fleetwood Mac may have not had the smooth ride as with Reprise/WB all those years. John Lennon had pretty much talked Peter into getting Fleetwood Mac signed with Apple. And we all know what happened to the Apple acts that weren't named "The Beatles".
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#8
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I would THINK that was the one & only show where that happened. Every show I've read that they played, they were booed off the stage after about 3 songs.
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
#9
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Clifford Davis
The version I've heard is that Davis did not call the police on Peter. He called the accountant that Peter vebally threated in a phone conversation with Davis.
The accountant then called the police.
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Evan |
#10
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Quote:
John |
#11
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The only virtue of Bob Brunning's book about the band is the section that discusses Davis, the fake Mac, and the ensuing lawsuit. There we see several sides to the story Mick never (understandably) mentions in his book. As far as Mick goes is when he says "we sort of let it happen to ourselves." That could mean a lot of things.
As much as the real story is probably murkier than the version in Mick's book, I can't ever imagine Mick being willing to play without John at his side. And it was clear that Davis didn't make room for John in his new band--only Mick and Christine, should they want to join in. |
#12
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Quote:
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#13
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Quote:
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On and on it will always be, the rhythm, rhyme, and harmony. THE Stephen Hopkins |
#14
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Clifford publishing he took from FM members.
To become a member of Fleetwood mac, Clifford Davis/aka Adams required all members to give 50% of their publishing to him. I have that contract for Bob Welch . He owned 50% of all of Bob's songs until he either sold them or whatever. I have spent 13 years trying to track down these song titles and have finally gotten tw9 new companies, which just bought them to pay us Bob's 50% share since 2000 and prior. He played many games with the companies and never paid us. He is totally contemptible and a gangster as far as I am concerned. He also still gets 10% of all of Bob's record royalties as well as the rest of the bands for those early years. That is a fact. He gets 50% of Bob's publishing for his solo hit "Sentimental Lady" as well, or either the publishing company he sold the rights to does. He slams Bob, yet he is making more off Bob's songwriting than anyone else he managed because of Sentimental Lady. I cannot regain control of these coyrights until at least 50 some odd years after they were written per copyright law. More about all of this Davis /Adams stuff will be honestly told in the book Bob wrote in about a year.
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#15
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Maybe after a 12-pack of Colt-45 talls & few hits of black tar hash.
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Among God's creations, two, the dog and the guitar, have taken all the sizes and all the shapes in order not to be separated from the man.---Andres Segovia |
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