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And to be honest, I don't really get this, "Christine's voice sounds better than 20 years ago" sentiment either. She sounds good, don't get me wrong, but I MUCH prefer Christine's beautifully smooth alto on "Warm Ways" "Oh Daddy" and "Brown Eyes" from yesteryear. But again, maybe it was the songs on ITM...the songs left me cold so the voice could only salvage so much, ya know?
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Well, the electric guitars playing in sort of a funk style are definitely a departure for Christine. I had hoped for some tasty licks, like Michael Thompson plays them on her songs from the Time album, but instead there's this monotonous funk groove on large stretches of the In the Meantime album. Unfortunately, Christine's keyboards step back to showcase the funk grooves, so there's not as much diversity in the arrangements as I had hoped for. When I heard it for the 1st time, I was really unsure if this was an album for me to own. But I had a listen again in a different shop on a different day, and some songs grew, so I got the CD.
There's just one song, which I think really works well with the funk groove and that is Bad Journey. Friend is OK with it, but would sound better in a different arrangement, though it's probably the best song on there. Others that I like from in the Meantime are Liar, Givin' It Back, Sweet Revenge, Northern Star and Forgiveness (in which she really shines). Let's hope she'll be doing another album at some time, but with a different producer and guitar player. |
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