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Old 02-01-2024, 03:09 PM
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Originally Posted by SteveMacD View Post
Nobody had to tell her anything. Street Angel, Trouble In Shangri-La, and Say You Will didn’t live up to her commercial expectations. In Your Dreams only reaffirmed that. That’s why she basically phoned it in for 24 Karat Gold.
Trouble in Shangri-La sold pretty well, and got some of her best reviews since Bella Donna, so I think she was pleased with that album. As for 24 Karat Gold, I don’t think she phoned it in vocally, I think that’s just how she sounds now. I read she released 24 KG as a tribute to her mother, so I really don’t think think she would have phoned it in for that reason. It’s a no frills album and sounds just like what it was- a quickly recorded album she wanted to get out as soon as possible. But I don’t think the quality of the album was because she phoned it in. I think it was the best she could do.
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Old 02-01-2024, 04:52 PM
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Trouble in Shangri-La sold pretty well, and got some of her best reviews since Bella Donna, so I think she was pleased with that album. As for 24 Karat Gold, I don’t think she phoned it in vocally, I think that’s just how she sounds now. I read she released 24 KG as a tribute to her mother, so I really don’t think think she would have phoned it in for that reason. It’s a no frills album and sounds just like what it was- a quickly recorded album she wanted to get out as soon as possible. But I don’t think the quality of the album was because she phoned it in. I think it was the best she could do.
But is not "quickly recording an album to get it out ASAP" by definition sort of phoning it in? We can argue over vocals. But the album tracks are pretty much identical to the demos. All The Beautiful Worlds became All The Horrible Worlds.
There are some great songs on it but they are not executed musically or vocally which you can say was "phoned in."
On the contrary nothing on Buckingham/McVie was even remotely "phoned in."
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Old 02-06-2024, 11:05 PM
bombaysaffires bombaysaffires is offline
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24K is easily her worst sounding record. I'm shocked she let some of those vocals go out the door. Those gravely tracks on TISL sound better than The Dealer etc..

She had better material in the vault that she left behind i.e. Julia etc. Blue Water and Cathouse Blues just feel like scrap filler at best. The revised "Twisted" and "My Heart" was a complete mess as well (just my opinion) She removed the most interesting parts of both of those songs.
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Originally Posted by Macfan4life View Post
But is not "quickly recording an album to get it out ASAP" by definition sort of phoning it in? We can argue over vocals. But the album tracks are pretty much identical to the demos. All The Beautiful Worlds became All The Horrible Worlds.
There are some great songs on it but they are not executed musically or vocally which you can say was "phoned in."
On the contrary nothing on Buckingham/McVie was even remotely "phoned in."

You both nailed it.

Didn't she say something about owing the record company another album per her contract and deciding to just slap together these demos into something (Or am I conflating that with one of her greatest hits packages?)

Anything remotely "artistic" in her work disappeared decades ago.... it's been "Show me the money" forever now.
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